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He is the man behind One For The Road Dollar Baby Film.

SKSM: Could you start with telling me a bit about yourself? Who are you and what do you do?

Joseph Horning: My name is Joseph Horning and I am an independent filmmaker from Norristown, Pennsylvania, a small town about twenty miles north of Philadelphia.  I primarily write screenplays and collaborate with other filmmakers on their scripts and productions, however I do occasionally like to jump out from behind the computer and produce my own work.  I’m the owner of Quarterly Entertainment, LLC, and co-owner of CKC Quarterly Productions; a joint venture I run with my business partner Curtis K Case.

SKSM: Could you tell our readers the status of One for the Road or some updates?

Joseph Horning: As of this writing we have one day left for pick up shots.  It’s an odd time to be shooting scenes for a story that’s set in the middle of winter during the spring but there were a lot of things that sprung up during the production and immediately after principal photography that caused some delays.  One thing that set us back in completing the film when we had hoped was a surprise snowstorm on our third day of production.  Because of continuity we had to rework a few things in our schedule and then hope for the best that another storm would come in to help with the scenes.  It was actually kind of perfect at the time because we had just finished all of the interior shots and the snow happened just as we were about to film the exteriors.  Since the story of One for the Road takes place in the middle of winter and during a snowstorm, it was apropos.

As time went on our actors had other commitments so we had to accommodate their schedules.  Also, while in editing I noticed a few things that we needed to go back and rework for the scenes at Tookey’s bar.  So we redid those scenes and then I ended up buying a snow machine to give the illusion on camera that it’s snowing.  All in all, despite the delays, everything is looking great.

SKSM: How come you picked One for the Road to develop into a movie? What is it in the story that you like so much?

Joseph Horning: Well for one thing, it’s a sequel to ‘Salem’s Lot, one of my favorite King novels. I loved how that book had a gothic feel to it and that carried over into the short story “One for the Road.”  There’s something about the short story that exudes all of the traits of a great gothic horror tale – the characters are isolated from the rest of the world by being stuck in the middle of a snowstorm; there’s a dark legend that only the local residents believe or know to be true until it’s too late; and of course there are vampires!

I love the original ‘Salem’s Lot mini-series from 1979.  I’ve also seen a number of other Dollar Baby films adapted from “One for the Road,” and always thought it would be a neat spin on the story to make it a connecting sequel to that film.  No other adaption has done that.  So we’re taking our version of One for the Road and placing it within the universe of the Hooper adaption by featuring one or two characters from that mini-series that are still kicking around The Lot after nearly 40 years as vampires.  It will be interesting to see if the fans will pick up on who they are.

SKSM: It is One for the road your debut as a director?

Joseph Horning: No, this is the third short film I’ve worked on as a director and definitely the largest production so far.  My first short film was a psychological thriller I wrote, called Masterpiece, about a desperate woman and eccentric artist. The second film I directed was for a proposed webseries that my friend and assistant director, Gus Garfield, and I developed, called Forest of Darkness.  The pilot episode was called “The Field Across the Way”, and was based off of an old Scandinavian myth about the forerunner of death.

Besides writing and directing my own films, I’ve also collaborated on screenplays with other filmmakers from the Philadelphia area.  I mainly stick to horror, though I’ve co-written two suspense thrillers with my friend Andrey Nikiforov, who is in the middle of directing a feature film based on one of those screenplays.  My business partner Curtis K Case and I wrote the feature length screenplay Where is My Golden Arm, based off of an old traditional jump scare story made famous by Mark Twain.  It’s made the rounds in a few festivals and was a semi-finalist in several of them.  We plan on shooting a short film version next year; once we’re finished with One for the Road, in the hopes that we can attract investors to shoot the feature.

SKSM: You have an incredible cast and crew involved in this project. How did you convince them to play in One for the Road?

Joseph Horning: There really wasn’t anything I had to do to convince them to be in the film.  We held an audition process and a vast majority of the actors who submitted for the film were already fans of Stephen King, or have always wanted to be part of one of his productions.  Many of them actually read the story before coming in to audition for us, and their enthusiasm for the film radiated in their performances.  My lead actress playing Janey Lumley, Sandy Lawler, is a Stephen King fan.  One year for Halloween, she and her twin sister dressed up like the Grady twins from The Shining, complete with blood and an axe!  She just can’t wait to be covered in blood and become a vampire in the un-official Stephen King universe!

I’m extremely happy with the cast we put together for this film and I can’t wait to see all of these characters come to life on screen!

SKSM: How did you find out that King sold the movie rights to some of his stories for just $1? Was it just a wild guess or did you know it before you sent him the check?

Joseph Horning: I’ve known about his Dollar Baby films for quite some time.  I first learned about them in the early 2000’s, before heading back to college to study film and video production.  I was kicking around Stephen King’s website trying to get the scoop on anything new that he was working on, when I stumbled across the page listing the stories he had up for purchase.  At the time I knew I wouldn’t have time to find a suitable story to work on and adapt into a film before heading off to school, so I just kept the idea in my back pocket until a later date.  Later turned out to be much later, as I began working on and developing other projects with friends I’ve met along the way, and the thought of the Dollar Babies kept getting pushed off.  So now it’s nearly seventeen years later and I’m finally getting around to fulfilling my dream of making a movie for Stephen King.  In a way I’m glad I waited, because I don’t think I would’ve had the help or resources I have now, had I jumped into it sooner than I did.  The connections and friends I’ve made over the years have become some of my most valuable assets, and I’m grateful to everyone working on this film with me to bring it to life.

SKSM: How does it feel that all the King fans out there won’t see your movie? Do you think that will change in the future? Maybe an internet/dvd release would be possible?

Joseph Horning: It’s a little disheartening knowing that only a select few people will get the chance to view the film upon completion, but that’s just the way the dice roll.  Hopefully our film will be well received by Stephen King and he’ll grant us permission to debut it to a wider audience.  It’s been done before with other Dollar Baby films. As of right now, only the cast, crew and crowdfunding backers will get the chance to view the film in a private screening/link that will be available online with a private pass code.

SKSM: I guess it’s very soon to asking this question but… where the premiere will be? Do you plan to screen the movie at a particular festival?

Joseph Horning: Well since we’re getting close to wrapping up production, my executive producers Chris Wagler, Scott Surochak and I have been discussing where we would like to hold our films’ premiere.  There are three places we have in mind.  The first is the Grand Theater; located in East Greenville, PA, where the majority of One for the Road will be filmed.  It’s a small theater that has been renovated to look like the old movie houses from the 1950’s.  There’s an old organ in front of the screen and balcony seating for a small group of people.

The second location we have discussed is the Colonial Theater in Phoenixville, PA.  Anyone who is a movie buff or fan of old B-rated horror films will recognize the Colonial Theater from the original Steve McQueen version of The Blob!  The film was shot locally back in the 1950’s, and the Colonial Theater was the setting for one of the movies’ iconic scenes, where the Blob attacks thralls of teenager in the theater.  The teenagers proceed to stampede out into the street as the Blob seeps through the vents and doors after them!  Every year the town holds Blobfest, where visitors return to the Colonial Theater to watch old B-rated horror films and re-enact that famous scene!  I think it would be amazing to debut our film during Blobfest or very near it!

Lastly, we’ve discussed a possible showing in Philadelphia, at the Prince Theater, where many films, plays and celebrities have made appearance over the years.  David Lynch; who attended the Pennsylvania Academy of Fine Arts in Philadelphia, has returned to the Prince to showcase his movies and discuss his career.  I believe The Sixth Sense, Rocky Balboa and Creed held their premieres there; along with countless other Hollywood films over the last century, so it would be a great venue to debut our film in.

If given the okay by Stephen King to distribute the film to a wide audience, we would love to put it into the Tribeca Film Festival or even Sundance.

SKSM: Are you a Stephen King fan? If so, which are your favorite works and adaptations?

Joseph Horning: I’m a huge Stephen King fan!  I wasn’t so much when I was younger.  It took me until my teens to actually get into his work, and the first of his novels that I ever completed was Cujo.  I had attempted to read IT when the mini-series was announced, but I found it too much of a challenge for me; especially since I was only 12 at the time and not into reading like I am now.  A 1,000 plus page book is pretty daunting for someone just discovering an author; an author that would help to shape his ideas and imagination.  It wasn’t until after I watched the mini-series that I fell in love with that book, and I have now read it at least a dozen times!

IT is clearly my favorite novel by King, though I’m not on board with the remake.  The characters felt forced together, while Richie was too vulgar and not like the character in the novel.  I prefer the original mini-series from 1990 with Tim Curry.  Yeah, it’s cheesy at times and the effects aren’t the best, but I find it fits the original story better than the remake.  I also love Misery.  There is nothing wrong with that adaption;  Kathy Bates is phenomenal in that role!  And of course ‘Salem’s Lot!  Again, the original mini-series is my favorite.  I know fans have issues with Reggie Nalder’s performance as Barlow, and they take issue that it doesn’t follow the book closely enough, but I find it to be a worthy adaption.

SKSM: Do you have any plans for making more movies based on Stephen King’s stories in the future? If you could pick -at least- one story to shoot, which one would it be and why?

Joseph Horning: I would love to work on another Stephen King film if given the chance.  There are so many great stories out there that it’s hard to pick just one, but if I had to, I’d say “Bad Little Kid”, out of The Bazaar of Bad Dreams.  I love how this unknown child just randomly appears throughout this man’s life to taunt and torture him, until he is forced to take drastic measures to save the people around him.  The ending actually gave me chills.

SKSM: Are you working on another project besides this one?

Joseph Horning: Not at the moment.  My business partner; Curtis K Case and I recently wrapped up production on the first season of our comedy-drama webseries called Siblings the Series.  The entire first season is available for viewing on our YouTube channel  Once things are wrapped up with One for the Road, we’ll be sitting down to hammer out plans for the second season, as well as develop the short film for Where is My Golden Arm.

SKSM: What is one thing people would be surprised to know about you?

Joseph Horning: Probably the biggest surprise is that I’m a self-published writer and illustrator of a children’s book called The Christmas Mouse.  I know, the guy who loves horror films and Stephen King wrote a children’s book? I promise that it’s a cute story that teaches a lesson in the end! No one dies…  Or do they?  Dun dun dun!

I’m working on a second children’s book centered on the same mouse in the first story.  It’s written, I just need to find the time to work on the art for the book.

I also dabble in writing film scores from time to time.  So far I’ve written two scores for short projects and have worked on a few solo pieces.

SKSM: What advice would you give to those people who want to be filmmakers?

Joseph Horning: Keep pursuing your passion.  There are going to be people out there who criticize and demoralize, but you have to ignore the detractors, and listen to your heart and follow your dreams.  Like the old saying goes “you can’t please everyone, so you gotta please yourself.”  Make art that you can be proud of not matter what the subject or the story is that you’re trying to tell.  And don’t worry if you’re just starting out and don’t have the best of everything.  Some of the best films are made on the smallest budgets, with the cheapest equipment.  It’s all about the passion you put into every shot and every scene that matters.  Except for audio.  NEVER skimp on the audio!!

SKSM: Thanks for taking the time to answer my questions. Is there anything you want to say to your fans?

Joseph Horning: Fans?  I have fans??

SKSM: Would you like to add something?

Joseph Horning: I just wanted to thank you and everyone out there who has helped support this project from the beginning!  Without their contributions – either from crowdfunding donations or the people on my team who have donated their time – I wouldn’t be where I am right now in this stage of development!  You guys rock!  Thank you!


He played in Derek Simon’s Dollar Baby A Very Tight Place as Curtis Johnson.

SKSM: Could you start with telling me a little bit about yourself? Who are you and what do you do?

Patrick Riviere: I’ve been in the theatrical sandbox since I was 10 years old and have worn a variety of hats in the industry my entire life. I always say that highlights of my performing career have been singing with Patti LuPone and making Robert DeNiro laugh between takes on the film Being Flynn. But in truth there have been a lot of highlights including starring in the film A Very Tight Place. I have also done a lot of arts administration and was the first Industry/Professional Liaison at NYU Tisch School of the Arts Department of Drama. I’ve had my own theater companies and am also a playwright.

SKSM: When did you know you wanted to become an actor?

Patrick Riviere: Since I was 9 years old and had the chance to be the villain in a school play about teeth, I played Sir Desmond Decay and I was bit by the bug and never looked back.

SKSM: How did you become involved in A Very Tight Place Dollar Baby film?

Patrick Riviere: I saw a casting notice and submitted myself. Got a call from the director, Derek Simon and had a great audition and he cast me as Curtis.

SKSM: What do you think it is about the story that attracts people so much?

Patrick Riviere: It’s classic Stephen King. It’s twisted and of course anything that deals with a storyline where someone is trapped in a porto potty is gonna bring some interest.

SKSM: Did you have to audition for the part or was it written directly for you?

Patrick Riviere: I auditioned.

SKSM: You worked with Derek Simon on this film, how was that?

Patrick Riviere: This was Derek’s thesis film from NYU and so it meant a lot to him. He put together an incredible team and was very hands on. He knew how he wanted it to look and what it needed to be. I was lucky to work with him. He is also a writer so he had the story at the core of his direction.

SKSM: Was there any funny or special moment when they made the movie that you would like to tell me about?

Patrick Riviere: There were two. One was working with a trained dog that had to “play dead” as he was supposed to be electrocuted by an electric fence. Each time we would do the scene I’d run and kneel down and start to cry and the dog would lick my face. Now of course he’s supposed to be dead so that took some time to get him to lie still and not react to my tears. The other was, there is a scene where I am completely naked at the shoreline. It was just above freezing and they needed to get the shot at sundown. We did three takes and then I started to shake uncontrollably. They got me back to the home base and radioed that they didn’t know if they had gotten the scene and that it might not make it in the film. I told them my bare butt better made it in somewhere even if it’s when they roll credits. But the scene was kept in the film.

SKSM: Do you still have any contact with the crew/cast from that time? If so with who?

Patrick Riviere: I do have limited contact with Derek from time to time. He is very busy working on the television series Supergirl. I am also connected to some of the other cast and crew on Facebook so keep up with their adventures especially Barbara Ann Davison who played Mrs. Wilson and Christine Sciortino who was our incredible makeup and special effects director.

SKSM: What are you working on nowadays?

Patrick Riviere: I am usually trying to get my play scripts out the door and I am also the new General Manager at Wellfleet Harbor Actors Theater on Cape Cod, Massachusetts and I also manage programming for Provincetown Community Television. I am hoping since that I am now 50 years old that I’ve grown into type and maybe will get back to acting one day soon.

SKSM: Are you a fan of Stephen King’s work?

Patrick Riviere: I always have been a fan of horror in general but have a special place in my heart for Stephen and actually his son who wrote Horns. Gifted family. My favorites are Carrie, The Green Mile, The Stand, Salem’s Lot and It. Although A Very Tight Place ranks up there now!

SKSM: What is one thing people would be surprised to know about you?

Patrick Riviere: That I grew up in a very small rural farming community even though my family was not a farming family. I think most people assume I’m from a big city. There were less than 5000 people in my town and we had a graduating class in High School of less than 100.

SKSM: Thanks for taking the time to answer my questions. Is there anything you want to say to the fans that read this interview?

Patrick Riviere: I hope they have a chance to see this little film and any of the other Baby Dollar projects. They are worth the look and also not a lot of folks have the opportunity to see some of these stories.

SKSM: Do you like to add anything else?

Patrick Riviere: Dream big and always be ready to take a detour. Life’s full of them and sometimes the real joy is on the side roads, and of course, you can always get back on the main route if you want to.

Title: Restare (2018) Bandera de Estados Unidos
Runtime: 10
Director: David Chien
Script: David Chien
Cast: Shannon Mary Dixon, Nicholas Talone, Audrey Looye, Delicia Shattuck, Dwight Huntsman.
Web imdb Facebook Twitter Crowdfunding


He played in Corey Mayne‘s Dollar Baby Willa as Henry.

SKSM: Could you start with telling me a little bit about yourself? Who are you and what do you do?

Nick Szeman: My name is Nick Szeman. I’m an actor based out of Toronto, Canada.

SKSM: When did you know you wanted to become an actor?

Nick Szeman: Part of me always wanted to be an actor but was too scared to really put myself out there.  After High School, I went to school for Business and never really felt like I belonged.  As I was getting closer to completing the program, I promised myself that as soon as I finished I would give acting a try.  I’ve been acting ever since.

SKSM: How did you become involved in Willa Dollar Baby film?

Nick Szeman: I was lucky enough to be very close with the creative team behind it.

SKSM: What do you think it is about the story that attracts people so much?

Nick Szeman: It comes from Stephen King.  Safe to say that anything he is a part of is usually really good.  The creative team behind Willa, especially Corey Mayne and Barbara Szeman, took some creative liberties with the script that are very exciting as well.

SKSM: Did you have to audition for the part or was it written directly for you?

Nick Szeman: I did not have to audition.  I’m so lucky that Corey and Barbara had me in mind when they were writing this character.

SKSM: You worked with Corey Mayne on this film, how was that?

Nick Szeman: Corey is amazing.  I’ve known him for a long time and he is an incredibly creative person.  Watching him direct and make his vision come alive was a very exciting experience.

SKSM: Was there any funny or special moment when they made the movie that you would like to tell me about?

Nick Szeman: The film was shot mostly outdoors in the middle of winter in Canada.  Needless to say, it was freezing on set.  Early on, I discovered that the portable restrooms on set were heated.  So I spent most of my free time on set and in between takes on the toilet.

SKSM: Do you still have any contact with the crew/cast from that time? If so with who?

Nick Szeman: I am in contact with a good portion of the cast and crew.  This was quite literally a family project.  Barbara is my sister.  Adrian Jaworski is my brother in law.  Madison Seguin is my girlfriend.  And the majority of the rest of the cast and crew might as well be family because we are all very close.

SKSM: What are you working on nowadays?

Nick Szeman: I was in a short film called Solid State that was released online not too long ago.  Another film I was in, Travis Turner, will probably be released in the not too distant future as well.  Apart from that, I’m constantly taking classes and trying to learn as much as I can as an actor.

SKSM: Are you a fan of Stephen King’s work?

Nick Szeman: Of course.  He’s such a complex writer.  Everything he does is so different, yet so brilliant.  I’ve always been very interested in time travel and right now I’m obsessed with 11.22.63.

SKSM: What is one thing people would be surprised to know about you?

Nick Szeman: I have a degree in Business.

SKSM: Thanks for taking the time to answer my questions. Is there anything you want to say to the fans that read this interview?

Nick Szeman: Thank you for reading and I hope you found this interesting.

SKSM: Do you like to add anything else?

Nick Szeman: The entire team behind Willa is such a passionate and creative group.  They put in countless hours and endless efforts to make this come to fruition.  A mutual love for film and storytelling brought together a group of wonderful people to share a story they all believe in.  I hope you all enjoy the film.


Title: Mute (?) Bandera de Estados Unidos
Runtime: ?
Director: Rob Darren
Script: Rob Darren
Cast: Rob Marrocco Jr, Ross Alzina, Doc Phineas, Donna Hamblin
Web imdb Facebook Twitter Crowdfunding

He played in Stephen Dean‘s Rest Stop as Rick Hardin.

SKSM: Could you start with telling me a little bit about yourself? Who are you and what do you do?

Eric James Morris: My name is Eric James Morris. I currently live in my home town Atlanta GA with my wife of 21 years Crystal. We have two sons, and a great dog named Tucker that is a retired Racing greyhound. I am a Jeep Wrangler enthusiast, and former motorcycle enthusiast. I used to do motorcycle trackdays often on my motorcycles over the years. I currently own a Triumph Daytona 675, and had a minor crash at Barber motorsports park last fall and decided it was time to hang it up. I am also a musician, and play guitar/sing often. I used to play out live every weekend, but not so much anymore. I do festivals and fairs occasionally these days as most of my time is spent on camera filming instead these days. I also own and opérate our family business Morris Environmental Inc when I am not acting or busy within the entertainment industry.

SKSM: When did you know you wanted to become an actor?

Eric James Morris: As a child I had a dream of becoming a famous actor like many other children do, but I didn’t realize it was even a possibilty until I met an independent director while doing background as a bar patrón a few years ago who told me I should pursue acting as I had a good look on camera. Also the Atlanta film market was really taking a positive direction at the time, so I took his advice and started training, making contacts, getting representation, etc.

SKSM: How did you become involved in Rest Stop Dollar Baby film?

Eric James Morris: Dean Film Works had put out a casting call breakdown on Actors Access, which I submitted to and was selected for the role of Rick Hardin. They felt that I fit the carácter best and wanted me to accept the role. I was delighted and flattered that I had been selected for this. I was very excited to begin filiming this Project, as I have always loved all of Stephen King’s work over the years.

SKSM: What do you think it is about the story that attracts people so much?

Eric James Morris: I think the original story of “Rest Stop” attracts viewers/readers as it shows what a darker side some people can have within them when pushed to the limit. And how someone can créate an additional “profile” of themselves to be able to step outside of their comfortable box to do some things they themselves wouldnt normally do. In addition, Rick Hardin is a bit of a hero, as his heroic yet harsh actions brought a valuable lesson to the victims.

SKSM: Did you have to audition for the part or was it written directly for you?

Eric James Morris: I did have to audition, and was asked to submit a video audition for the role. I normally film my auditions at home, from my home setup with proper lighting and sound. Which I did film this audition at home.

SKSM: You worked with Stephen Dean on this film, how was that?

Eric James Morris: Working with Stephen Dean was a true pleasure. I would have to say he is the most pleasant director I have worked with, and cares about al lof his talent and crew. I feel Stephen Will continue on to do very great things within the entertainment industry in the very near future.

SKSM: Was there any funny or special moment when they made the movie that you would like to tell me about?

Eric James Morris: Their was a few, but I Will mention that the actual scene of Rick beating the vitim was shot outdoors, at 4am, in the freezing cold, with wind blowing as well. There was a large portion of dialog (approximately 4-5 pages) for my carácter that we all over looked, and I didnt receive the script until the day of shooting. Needless to say, I had to request a line more than once while filming! Thank goodness for editing.

SKSM: Do you still have any contact with the crew/cast from that time? If so with who?

Eric James Morris: I still keep in contact with Stephen Dean the director.

SKSM: What are you working on nowadays?

Eric James Morris: I have worked on several differnet independent projects which include a comedy relief carácter for a pilot on Sony Playstation Network. I have also done some crime reenactment televisión shows this year which include Disappeared 910 on NBC Peakock productions, Fatal Attraction 717 on TV One, Murder Calls 210 on ID Discovery, and Homicide Hunter 801 on ID Discovery.

SKSM: Are you a fan of Stephen King’s work?

Eric James Morris: Yes I am. All of his work is great and I enjoy catching any of his written films when I can.

SKSM: What is one thing people would be surprised to know about you?

Eric James Morris: I am normally a very quiet and reserved guy.

SKSM: Thanks for taking the time to answer my questions. Is there anything you want to say to the fans that read this interview?

Eric James Morris: I say thank you for your support! It really means a lot to me knowing that.

SKSM: Do you like to add anything else?

I hope to re-visit with you again on another Stephen King film Project in the future.
Thank you


She played in Corey Mayne‘s Dollar Baby Willa as Willa.

SKSM: Could you start with telling me a little bit about yourself? Who are you and what do you do?

Kelsi Mayne: My name is Kelsi Mayne. I am an actress, singer and songwriter, originally from Windsor, ON. However now I divide my time between Toronto and Nashville.

SKSM: When did you know you wanted to become an actress?

Kelsi Mayne: I guess I just never grew out of “playing pretend.” I’ve always liked acting but I never viewed it as an actual career choice for me until I started landing roles shortly after moving to Toronto in 2013.

SKSM: How did you become involved in Willa Dollar Baby film?

Kelsi Mayne: This started out as passion project with family and friends. My brother and visual effects artist, Corey Mayne, was looking to jump back into the director’s chair with a new project. His best friend and colleague Barbara Szeman also wanted to tackle another producer role. And I, myself along with Adrian Jaworski, have always loved horror movies and wanted to play more roles in the genre. Stephen King’s short story “Willa” came to Corey’s mind and he started adapting it for the screen. He showed me the script and I immediately fell in love with it. And of course the whole Stephen King thing didn’t hurt either 😉 .

I was cast as Willa but I also helped with preproduction any way that I could: handing out flyers on the street, digital marketing, searching for equipment and props, meeting with industry personnel, assisting with wardrobe, etc.

As I’ve learned over the years, when Corey and Barbara work together, A) they are unstoppable and B) it is going to be good— so I work with them any chance that I get. Apparently word spread like wildfire in the Toronto film industry and everyone adopted Willa as their passion project as well. Before we knew it, we had over 100 top crew and cast members from all over the GTA. I’m still dumbfounded.

SKSM: What do you think it is about the story that attracts people so much?

Kelsi Mayne: The Stephen King and horror community is extremely supportive and enthusiastic which I think originally attracts people even before knowing the story. But people that know the story are drawn to it because it follows the characters as they enter an unknown realm while still remaining very real. Stephen King’s version leaves a few questions unanswered which works well on paper but wouldn’t translate directly to the screen. This film does a beautiful job weaving all the original elements of the story, while answering these questions and even adds an extra twist.

I think it’s that curiosity that seals the deal and interests people most.

SKSM: Did you have to audition for the part or was it written directly for you?

Kelsi Mayne: I auditioned, however it felt as if it were written directly for me. The dialogue is very real, which made my job easy!

SKSM: You worked with Corey Mayne on this film, how was that?

Kelsi Mayne: I work with Corey quite a bit actually. He is my older brother so by the time I was four years old, I was starring in our first film “Curse of the Werewolf.” Being siblings helps as we often know what the other person is thinking and there’s also no concern about offending one another when offering a suggestion or critique. This makes for a very open, creative and productive work environment which has always resulted in an impressive final product.

Corey’s always been ahead of his time. He came up with his Stephen King adaptation long before the recent remake of “IT” came to rise. Now a new SK-based film or TV show is announced everyday. I guess great minds do think alike. However he’s never been one to jump on any bandwagons.

It amazes me how he sees all of his projects start to finish before it even begins. I may be biased, but I’ve never met anyone like him. Corey is one of those insanely talented and creative beings that just has “it” (no pun intended). He’s always stood out by thinking differently, pushing boundaries and bringing something new to the table. And his tireless work ethic and ability to communicate exactly what he sees, makes him the kind of director you’d want on every set.

SKSM: Was there any funny or special moment when they made the movie that you would like to tell me about?

Kelsi Mayne: We shot the opening scene at the end of two long and cold 16+ hour days. We were all a bit delirious and in this script called for us to open real cans of beer (curtesy of Rorschach Brewing Co.). This scene also took about thirty different takes from different angles. And being italian, it is a sin to let anything go to waste. So needless to say, there were a lot of very giggly, happy (19 years and over) people— which made it a very fun last scene to shoot.

SKSM: Do you still have any contact with the crew/cast from that time? If so with who?

Kelsi Mayne: Those two long and freezing night shoots created an atmosphere of extreme teamwork, passion and dedication that was shared with the entire cast and crew. It was the first time majority of us all worked together and we all came out of that experience with an incredible bond, respect and appreciation for one another. Although we may not speak every day, but if and when we do, it still feels like we’re family.

Barbara Szeman and Adrian Jaworski are getting married this spring and both Corey and I are standing in their wedding party.

SKSM: What are you working on nowadays?

Kelsi Mayne: Currently I am preparing for my tour, performing at country music festivals throughout the Ontario. I’m also recording and will soon be in pre-production on the accompanying music videos.

Corey, Barbara, and Adrian worked with me on my debut music video released in October last year called “Still Not Over You” and my upcoming video that will be released May 10th this year. Without them, these videos would not have been possible.

I’ll be auditioning for a few acting roles throughout the summer as well.

SKSM: Are you a fan of Stephen King’s work?

Kelsi Mayne: Yes! Besides Princess Bride, Misery was my favourite movie growing up. My parents would also play the audiobook of “Pet Cemetery” during any long car rides. I’ve been hooked ever since.

SKSM: What is one thing people would be surprised to know about you?

Kelsi Mayne: Well you know I’m a singer and songwriter already but I also have a nursing degree and a national, university bronze medal in 60m hurdles.

Which is probably why I’m naturally drawn to horror roles. They mainly involve physicality, medical knowledge and/or require a strong stomach!

SKSM: Thanks for taking the time to answer my questions. Is there anything you want to say to the fans that read this interview?

Kelsi Mayne: I wanted to make a movie that I would go see myself.  As a Stephen King fan, my main concern was preserving his story and doing it justice. I am extremely confident we did just that.

SKSM: Do you like to add anything else?

Kelsi Mayne: I’m so proud to be a part of this film and can’t wait to share it with you. Thank you for all of your support and interest. It means the world!



He played in Michael Carvaines’ Dollar Baby Mute as Monette.

SKSM: Could you start with telling me a bit about yourself? Who are you and what do you do?

Gregory J. Daniels: Fort the past 28 years I have been a senior fundraiser for the University of Georgia, which is located in Athens, Georgia. Our división raises over $200 million a year for the University for scholarships, new buildings, endowed teaching positions, Athletic priorities as well as so many other great causes.

Gregory J. Daniels: I grew up in Valdosta, Georgia. I attended the University of Georgia for undergraduate school (class of 1985) and then received my masters degree from Harvard University.

SKSM: When did you know you wanted to become an actor?

Gregory J. Daniels: Well I have always wanted to be an actor…particularly in TV and films.  So about four years ago I began to take the steps including lessons, headshots, networking, etc.  I set up my own studio for my auditions and work with a very talented acting coach, Scotty Gannon.

SKSM: How did you become involved in Mute Dollar Baby film?

Gregory J. Daniels: The role of “Monette” was posted on Actors Access and I submitted a taped audition and had a Skype interview.  I really liked the director Michael Carvaines.

SKSM: What do you think it is in the story that attracts people so much?

Gregory J. Daniels: Well, first and foremost I think you have to be a Stephen King fan and recognize his brilliance.  He has written some wonderful, dark stories. “Mute” is a fascinating story that leaves the audience wondering who really killed Monette’s wife?  I still don’t know, but I have a hunch…

SKSM: Did you have to audition for the part or was it written directly for you?

Gregory J. Daniels: I had to audition as mentioned earlier.

SKSM: You worked with Michel Carvaines on this film, how was that?

Gregory J. Daniels: Michael Carvaines is awesome.  He is very talented and professional. I hope to work with him again in the near future.

SKSM: Was there any funny or special moment when they made the movie that you would like to tell me about?

Gregory J. Daniels: Actually we had fun the whole time.  The cast and crew were awesome.  There is a scene that wasn’t used where they applied a lot of blood to my face.  Man, that was scary!! Makeup is awesome!

SKSM: Do you still have any contact with the crew/cast from that time? If so with who?

Gregory J. Daniels: I do stay in touch with Michael Carvaines.

SKSM: What are you working nowadays? 

Gregory J. Daniels: I have done several short films since “Mute” as well as some comercials.  I will be in Birmingham, Alabama this weekend with a lead role in a short film and also have a photo shoot coming up at the Huntsville, Alabama Space Museum where I play the role of a 1950s rocket scientist who teachers students how to build rockets.

SKSM: Are you a fan of Stephen King’s work?

Gregory J. Daniels: I am a fan… but there are some of his Works that I really like such as Shawshank Redemption and Misery.

SKSM: What is one thing people would be surprised to know about you?

Gregory J. Daniels: I spent ten days in Russia several years ago and would love to visit again. St. Petersburg is so lovely and full of history. And there is so much history in Moscow. Red Square is pretty amazing.

SKSM: Do you like something to add?

Gregory J. Daniels: Thank you for the opportunity.



He played in James Douglas‘ Dollar Baby The Doctor’s Case as Inspector Lestrade.

SKSM: Could you start with telling me a little bit about yourself? Who are you and what do you do?

Ian Case: My name is Ian Case.  I’m an actor, director, producer and arts administrator.  My day job is as Director for the Farquhar Auditorium and Ceremonies and Events at the University of Victoria. I run my own theatre company called Giggling Iguana Productions which is probably best known for its site-specific work at Craigdarroch Castle for 15 years. I do a lot less work with Giggling Iguana Productions these days and tend to take on projects with friends.  I just finished a run of Twelfth Night with Launch Pad Productions where I played Malvolio which was a lot of fun.  I’m going to be directing two shows going on a Canadian Fringe tour as well as a new adaptation of Frankenstein for Theatre Inconnu, the theatre company where I started my professional career in 1991.

SKSM: When did you know you wanted to become an actor?

Ian Case: To be honest, I probably should have realized that the theatre was going to play a major role in my life a lot earlier than I did. I was obsessed with puppetry as a kid and in high school I was similarly obsessed with Shakespeare.  But it wasn’t until 1984 when I saw Anthony Sher play Richard III in Stratford on Avon. He was so hypnotic.  I still remember his opening monologue clearly.  Here was one man standing on a dark stage in a cone of light and with his words alone he held the hearts of each and every person in that audience in the palm of his hand. When I stepped dazed out of the theatre that afternoon I turned to my mother and said, “That’s what I want to do with the rest of my life.”

SKSM: How did you become involved in The doctor’s case Dollar Baby film?

Ian Case: James Douglas, the director and mastermind behind The Doctor’s Case is an old university pal and our paths have crossed many times over the years.  We have a lot of mutual friends and have worked with a lot of the same people. When I was General Manager at Theatre Inconnu in the early 1990s, I gave James his first professional acting gig and I guess James remembered that and wanted to return the favour. When our paths crossed a couple of years ago he was super excited about this project and asked me if I’d consider play Inspector Lestrade.  I was thrilled and immediately said yes.

SKSM: What do you think it is about the story that attracts people so much?

Ian Case: I think The Doctor’s Case has two major draws – Sherlock Holmes and Stephen King.  Those are pretty heavy hitters.  Holmes of course has gone through a real resurgence of late with the whole Sherlock thing with Benedict Cumberbatch. And Stephen King never really seems to go out of style. It probably didn’t hurt that the recent adaptation of “It” came out recently and put King’s work on the top of the Cinema world again.
But beyond that, this is a really fun story. For Holmesians, it’s fun because it’s a new story about their favourite characters not to mention the twist that this is Doctor Watson’s Case, a case that he solves, rather than yet another one of Holmes’ triumphs.  King is a great writer so he’s not only captured the feel of Conan Doyle, but also created a fun and incredibly vivid tableau for this story to unfold.

SKSM: Did you have to audition for the part or was it written directly for you?

Ian Case: Nope.  James knows my stage work pretty well.  He did ask me a little about my film and tv work before asking me to participate but once he heard that I was pretty familiar with working on camera he just asked me straight out if I’d play Lestrade.  I said “yes” immediately.

SKSM: You worked with James Douglas on this film, how was that?

Ian Case: Working with James was very satisfying.  James is a problem solver and incredibly ambitious in the scope of the projects he tackles.  He wanted to create something far beyond what we should have been able to pull off given the meagre resources and funds at his disposal.  But James knows how to pull together a first-rate team and the team working on The Doctor’s Case was second to none.  Plus, James has this uncanny ability to inspire both trust and loyalty to his vision.
At the same time, James is very open to hearing what other people think and open to contributions from others if he sees that it will make a positive contribution to the end result.  James was incredibly gracious in taking ideas, suggestions and changes from the people he was working with.  He did it without a trace of insecurity or ill-will. He embraced other people’s good ideas which I think is the mark of a really mature and confident artist.

SKSM: Was there any funny or special moment when they made the movie that you would like to tell me about?

Ian Case: There were lots of fun moments. I don’t think there are likely a lot of bloopers.  JP, Michael and I spent a lot of time in front of the camera together and a lot of time together waiting for the cameras to role. This made for a lot of time for us to get very comfortable with each other and similarly to have a lot of fun together.
During the filming of the Baker Street scenes, we had to do the scenes over and over again to achieve all the camera shots that James and our DP, Ian, wanted. But the Baker Street set was a really small drawing room in Carr House so the angles were sometimes really challenging. At one point they had trouble getting the right angle on a Lestrade shot because I’m about 6ft tall and they couldn’t get the camera far enough back to make it look like I wasn’t a giant.  In the end they told me the only way they could get the shot was if I could squat down.  As a result, I ended up in a squat for about 20-30 minutes while we shot all of my dialogue!  I hope no one can see me straining in the final cut of the picture.
Things got pretty crazy on the last day of shooting in Craigdarroch Castle when we knew we still had about three vital shots to capture and we were already well past the time when we were supposed to be out of the venue so that it could be ready to open to the public the next morning. We all got a bit giddy in that last hour but I have to say, when James called action, we all straightened up and got the job done.

SKSM: Do you still have any contact with the crew/cast from that time? If so with who?

Ian Case: I already knew a few of the cast and crew before the shoot and I’ve kept those contacts going.  Michael who played young Watson and JP who played Holmes are now my pals and I’ve staying in touch with them.  A great many of the cast and crew who live in Wells, BC were friends of a dear friend of mine who passed away a few years ago and it was lovely to meet so many of them and to talk about our mutual friend. James and I seem to touch base every few months or so as well.  It was a really special group of people and I enjoyed our time together.

SKSM: What are you working on nowadays?

Ian Case: I’m directing a couple of shows gong on Fringe tour in July and I’ll be directing a new adaptation of Frankenstein in the fall.

SKSM: Are you a fan of Stephen King’s work?

Ian Case: Yes. I’ve read quite a bit of King’s work. I think he’s a great, and prolific, writer. I love his short horror fiction and his “On Writing” is a bit of a bible for me.

SKSM: What is one thing people would be surprised to know about you?

Ian Case: To be honest, I’m not really sure. Probably that I took up kickboxing in the fall after finishing the filming of The Doctor’s Case. I go two or three times a week.  I dropped 20+ pounds after filming the Doctor’s Case which felt pretty good.  Beyond that, I’m not sure I’m all that surprising.
I suppose the other thing that might surprise people is that I am usually incredibly uncomfortable watching my acting on film.  Until The Doctor’s Case, I’ve never been able to watch my own work on screen without cringing.  But when I watched The Doctor’s Case the first time, I thought to myself, “wow, that’s pretty good.”  I’ve now seen it a few times more and every time I watch it I think to myself that I’m actually pretty good in it.  I’m quite proud of my work in The Doctor’s Case and a lot of folks who have seen it have said a lot of really nice things about my work in it.

SKSM: Thanks for taking the time to answer my questions. Is there anything you want to say to the fans that read this interview?

Ian Case: I hope that folks get a chance to see The Doctor’s Case. I think it’s a pretty special film.

SKSM: Do you like to add anything else?

Ian Case: Nope. I think that’s about it. Thanks for interviewing me about my work and about The Doctor’s Case.


She played in Stephen Dean‘s Dollar Baby Rest Stop as Johanna Dykstra.

SKSM: Could you start with telling me a little bit about yourself? Who are you and what do you do?

Paula Campbell: Absolutely! My name is Paula Campbell. I’m a singer/song writer and actress. I was formally signed to Columbia music. I was also Super Star Neyo’s first artist. I’m originally from Baltimore, Maryland but now reside in Atlanta, Georgia… I love acting but music is my passion. I’m single and I’m cute.  Lol 😂

SKSM: When did you know you wanted to become an actress?

Paula Campbell: I knew I wanted to become an actress in elementary school when I played “Lavenia” the wicked stepsister in Cinderella. I was hysterical! Staying in character while the entire auditorium laughed uncontrollably and the compliments and congratulations that I received afterward made me want to do it all over again! What solidified it for me was my role in a play that my drama teacher wrote titled “Free.” I played a school girl who was bullied and hit in the head with a brick because of the color of my skin. People were shocked and hurt. I was just a 9 years old and didn’t quite understand why both men and women were angry, some in tears. Until that point I thought acting was just pretending but that particular role in that production helped me understand that I was bringing something to life… and giving light to someone else’s truth. What I realized is that even if it were a comedy, my job was to bring out something relatable and evoke emotion for everyone who could see or hear me.

SKSM: How did you become involved in Rest Stop Dollar Baby film?

Paula Campbell: I’ve known the director Stephen Dean for a while from a few movie sets like “Insurgent” and “Hidden Figures.” We became instant friends! He told about a project he was working on and I expressed my interest. I learned so much from the amazing my cast and even the crew. They pulled so much out of me and gave pointers and literally made me become Johanna Dykstra. The lessons I learned from the phenomenal talents on this set will take my acting career even further! I’m forever grateful for this project. 

SKSM: What do you think it is about the story that attracts people so much?

Paula Campbell: I think the most attractive quality about this story is how relatable it is to human behavior. We all have something going on inside (good,bad or indifferent). Most people strive for perfection never understanding that we’re striving to please others. Wishing people could see the inside struggle and somehow just save us! This story shows the diversity of many personality differences, the pros and cons with them, the disillusioned thoughts that often come with them and the desire to cope. And then there’s the humor in it all!

SKSM: Did you have to audition for the part or was it written directly for you?

Paula Campbell: I auditioned for “Rest Stop” after the director Stephen Dean told me about the production. He explained the story and some twist that he added and I was hooked! I honestly didn’t think I’d gotten the role. I almost gave up and didn’t send in a second audition tape. I thought I wasn’t  good or experienced enough. But I was wrong! And man oh man, I’m glad I was.

SKSM: You worked with Stephen Dean on this film, how was that?

Paula Campbell: Working with Steve is like working with your brother. He’s filled with knowledge and he gets everyone’s individual personalities and idiosyncrasies. He’s able to pull exactly what he needs from each talent with ease! Steve is an awesome teacher and director.

SKSM: Was there any funny or special moment when they made the movie that you would like to tell me about?

Paula Campbell: I can’t give much away but I can say my scene with the psychiatrist was hilarious! I was almost unable to compose myself while filming that scene.

SKSM: Do you still have any contact with the crew/cast from that time? If so with who?

Paula Campbell: Sure! I still talk to Steve from time to time. He sends me updates and upcoming auditions and opportunities often! I think everyone is on a tight schedule so we all connect through email from time to time.

SKSM: What are you working on nowadays?

Paula Campbell: Now I’m back in the studio recording. I’m also shopping a screenplay I wrote titled “She Won’t Tell.”… I just recent started a podcast and blog site… it’s the “Be Very Clear” podcast and where I give my honest unfiltered opinion about life, love and relationship… We touch on all subjects but we focus more on those topics.

SKSM: Are you a fan of Stephen King’s work?

Paula Campbell: I’m a huge fan of Stephen King! Though I have to be honest and say I’m a scaredy-cat and won’t watch much horror.

SKSM: What is one thing people would be surprised to know about you?

Paula Campbell: Hmmm, I’m a huge prankster and at the same time I’m super sensitive and I take everything personally.

SKSM: Thanks for taking the time to answer my questions. Is there anything you want to say to the fans that read this interview?

Paula Campbell: Yes! Thank you to all the fans and critics! Thank you all for your interest in Rest Stop! Again I’d like to thank Stephen Dean and the entire Rest Stop cast and crew. Thank you Stephen King for an amazing write and the opportunity to play it out through a different vision/version. I’m forever grateful.

SKSM: Do you like to add anything else?

Paula Campbell: Please be sure to keep up with me on social media…

Please keep up with the “Be Very Clear” movement… The Be Very Clear Podcast on Anchor And

Last but not least please follow my journey with the screenplay “She Won’t Tell” I’ll be posting updates on


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